Love Poems - Erotic Poems. This was written about a woman I was falling in love with although we had not yet met! On the phone and online she was exquisite. Watch Justine: Seduction Of Innocence Online .But would the reality measure up? I insist upon giving her the benefit of the doubt. You can email the whole poem (not just a link) directly to your friend, with a personal message from you. If this poem touched you, please take a moment to Vote for the poem and perhaps leave a comment telling us why. Artistically inclined? You can use this poem in a graphical greeting card, designed by you, and then send it to a friend. Add this poem to your netpoets. My. Poems space so you can always find it. Want to post this poem to your blog or website? Click here and we'll make it easy. Need a hardcopy? You can send a copy of this poem directly to your printer, without all of the color and graphics. And a few more if you like the Author .. Want to send the author a private email? If we have a current address, we'll send your message to them for you. You can subscribe to this author and we'll let you know any time they publish a new poem with us. If you especially appreciated this author, we'll be happy to show you where you might find more of their poems. If you would like to use this poem on your own web page, please contact the Author. Watch Justine: Seduction of Innocence (1996) full movie online on MegaMovieLine. Drama, Romance latest and full length movies watch online free. Movie trailers, now playing and top movies available. She felt the loss of Willoughby's character yet more heavily than she had felt the loss of his heart; his seduction and desertion of Miss Williams, the misery of that poor girl, and the doubt of what his designs might ONCE. Blue Seduction is a sexy new thriller that is premiering on the Lifetime Movie Network tonight. Blue Seduction, also known as Seduccion Azul, was first released. From the creators of the phenomenal bestseller The 48 Laws of Power, a mesmerizing handbook on seduction: the most subtle and effective form of power When raised to the level of art, seduction, an indirect and subtle form of. The Art of Seduction by Robert Greene, Joost Elffers . He secured the country's borders against her return and began to rule on his own. Later that year, Julius Caesar came to Alexandria to ensure that despite the local power struggles, Egypt would remain loyal to Rome. Caesar, in the mood for a little fun, gave the merchant permission to enter. The man came in, carrying on his shoulders a large rolled- up carpet. He undid the rope around the bundle and with a snap of his wrists unfurled it—revealing the young Cleopatra, who had been hidden inside, and who rose up half clothed before Caesar and his guests, like Venus emerging from the waves. They were astounded at her daring and theatricality- -- smuggled into the harbor at night with only one man to protect her, risking everything on a bold move. No one was more enchanted than Caesar. According to the Roman writer Dio Cassius, . She had a delightful voice which could not fail to cast a spell over all who heard it. Such was the charm of her person and her speech that they drew the coldest and most determined misogynist into her toils. Caesar was spellbound as soon as he set eyes on her and she opened her mouth to speak. But he had always disposed of them quickly to return to what really thrilled him—political intrigue, the challenges of warfare, the Roman theater. Caesar had seen women try anything to keep him under their spell. Yet nothing prepared him for Cleopatra. One night she would tell him how together they could revive the glory of Alexander the Great, and rule the world like gods. The next she would entertain him dressed as the goddess Isis, surrounded by the opulence of her court. Cleopatra initiated Caesar in the most decadent revelries, presenting herself as the incarnation of the Egyptian exotic. His life with her was a constant game, as challenging as warfare, for the moment he felt secure with her she would suddenly turn cold or angry and he would have to find a way to regain her favor. At one point she led him on a lavish historical expedition down the Nile. In a boat of unimaginable splendor—towering fifty- four feet out of the water, including several terraced levels and a pillared temple to the god Dionysus—Caesar became one of the few Romans to gaze on the pyramids. Directed by Jerry Schatzberg. With Alan Alda, Barbara Harris, Meryl Streep, Rip Torn. Respected liberal Senator Joe Tynan is asked to lead the opposition to a Supreme Court appointment. It means losing an old friend and. I have formatted it in html, adding links to and from. In scenes of seduction, can you really be sure who's seducing whom? Return of Sex Clinic -Nigerian Movies 2016 Latest Full Movies / African Movies - Duration: 2:13:52. Africa Cinema 8,345,140 views. This feature is not available right now. Please try again later. And while he stayed long in Egypt, away from his throne in Rome, all kinds of turmoil erupted throughout the Roman Empire. A few years later, while Antony was in Syria, Cleopatra invited him to come meet her in the Egyptian town of Tarsus. There- -- once she had made him wait for her—her appearance was as startling in its way as her first before Caesar. A magnificent gold barge with purple sails appeared on the river Cydnus. The oarsmen rowed to the accompaniment of ethereal music; all around the boat were beautiful young girls dressed as nymphs and mythological figures. Cleopatra sat on deck, surrounded and fanned by cupids and posed as the goddess Aphrodite, whose name the crowd chanted enthusiastically. But he also wanted to tame her—to defeat this proud and illustrious woman would prove his greatness. And so he stayed, and, like Caesar, fell slowly under her spell. She indulged him in all of his weaknesses—gambling, raucous parties, elaborate rituals, lavish spectacles. To get him to come back to Rome, Octavius, another member of the Roman triumvirate, offered him a wife: Octavius's own sister, Octavia, one of the most beautiful women in Rome. Known for her virtue and goodness, she could surely keep Antony away from the . This time it was for good: he had in essence become Cleopatra's slave, granting her immense powers, adopting Egyptian dress and customs, and renouncing the ways of Rome. She had a long thin face and a somewhat pointed nose; her dominant features were her wonderfully large eyes. Her seductive power, however, did not lie in her looks—indeed many among the women of Alexandria were considered more beautiful than she. What she did have above all other women was the ability to distract a man. In reality, Cleopatra was physically unexceptional and had no political power, yet both Caesar and Antony, brave and clever men, saw none of this. What they saw was a woman who constantly transformed herself before their eyes, a one- woman spectacle. Her dress and makeup changed from day to day, but always gave her a heightened, goddesslike appearance. Her voice, which all writers talk of, was lilting and intoxicating. Her words could be banal enough, but were spoken so sweetly that listeners would find themselves remembering not what she said but how she said it. Everything had a touch of drama and was accomplished with great energy. By the time your head lay on the pillow beside her, your mind was spinning with images and dreams. And just when you thought you had this fluid, larger- than- life woman, she would turn distant or angry, making it clear that everything was on her terms. You never possessed Cleopatra, you worshiped her. In this way a woman who had been exiled and destined for an early death managed to turn it all around and rule Egypt for close to twenty years. A man grows bored with a woman, no matter how beautiful; he yearns for different pleasures, and for adventure. All a woman needs to turn this around is to create the illusion that she offers such variety and adventure. A man is easily deceived by appearances; he has a weakness for the visual. Create the physical presence of a Siren (heightened sexual allure mixed with a regal and theatrical manner) and he is trapped. He cannot grow bored with you yet he cannot discard you. Keep up the distractions, and never let him see who you really are. He will follow you until he drowns. Her days were filled with chores and no play. At school, she kept to herself, smiled rarely, and dreamed a lot. One day when she was thirteen, as she was dressing for school, she noticed that the white blouse the orphanage provided for her was torn, so she had to borrow a sweater from a younger girl in the house. The sweater was several sizes too small. That day, suddenly, boys seemed to gather around her wherever she went (she was extremely well- developed for her age). She wrote in her diary, . She started to smile more, wear makeup, dress differently. And soon she noticed something equally startling: without her having to say or do anything, boys fell passionately in love with her. Some said it was the way I looked at them—with eyes full of passion. Others said it was my voice that lured them on. Still others said I gave off vibrations that floored them. She was getting work as an extra, and when she was on- screen—even if only for a few seconds—the men in the audience would go wild, and the theaters would erupt in catcalls. But nobody saw any star quality in this. One day in 1. 94. Monroe met someone at a diner who told her that a producer casting a new Groucho Marx movie, Love Happy, was looking for an actress for the part of a blond bombshell who could walk by Groucho in a way that would, in his words, . Her voice had always been attractive—it was the voice of a little girl. But on film it had limitations until someone finally taught her to lower it, giving it the deep, breathy tones that became her seductive trademark, a mix of the little girl and the vixen. Before appearing on set, or even at a party, Marilyn would spend hours before the mirror. Most people assumed this was vanity—he was in love with her image. The truth was that image took hours to create. Marilyn spent years studying and practicing the art of makeup. The voice, the walk, the face and look were all constructions, an act. At the height of her fame, she would get a thrill by going into bars in New York City without her makeup or glamorous clothes and passing unnoticed. She wanted serious roles, but no one took her seriously for those parts, no matter how hard she downplayed the siren qualities she had built up. One day, while she was rehearsing a scene from The Cherry Orchard, her acting instructor, Michael Chekhov, asked her, . As if you were a woman in the grip of passion.. I understand your problem with your studio now, Marilyn. You are a woman who gives off sex vibrations—no matter what you are doing or thinking. The whole world has already responded to those vibrations. They come off the movie screens when you are on them. She tuned her physical presence like an instrument, making herself reek of sex and gaining a glamorous, larger- than- life appearance. Other women knew just as many tricks for heightening their sexual appeal, but what separated Marilyn from them was an unconscious element. Her background had deprived her of something critical: affection. Her deepest need was to feel loved and desired, which made her seem constantly vulnerable, like a little girl craving protection. She emanated this need for love before the camera; it was effortless, coming from somewhere real and deep inside. A look or gesture that she did not intend to arouse desire would do so doubly powerfully just because it was unintended—its innocence was precisely what excited a man. The incarnation of sex and desire, she does not bother to appeal to extraneous senses, or to create a theatrical buildup. Her time never seems to be taken up by work or chores; she gives the impression that she lives for pleasure and is always available. What separates the Sex Siren from the courtesan or whore is her touch of innocence and vulnerability. The mix is perversely satisfying: it gives the male the critical illusion that he is a protector, the father figure, although it is actually the Sex Siren who controls the dynamic. Most of the physical elements are a construction; the key is the air of schoolgirl innocence. While one part of you seems to scream sex, the other part is coy and naive, as if you were incapable of understanding the effect you are having. Your walk, your voice, your manner are delightfully ambiguous—you are both the experienced, desiring woman and the innocent gamine.
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